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Camille Claudel: Into the Fire – A Review
On October 18th, the Performing Arts Department hosted Pianist Nadine Jo Crasto and Counter-tenor Subin Mathai for a performance of...
Soham Prasad and Rohan Wagle
Oct 28, 2024


Unmediated Sound: A Review
On October 15th, the Black Box Theatre at Ashoka University transformed into a quiet, intimate space for Unmediated Sound, a concert
Maya Ribeiro
Oct 19, 2024


Kafka-ed: Redefining the Traditional ‘Kafka-esque’
Ashoka University’s English and Creative Writing Departments hosted “Kafka-ed: A Symposium” to commemorate
Vidhu Mariam Cheriyan
Oct 9, 2024


For the Love of Writing: A Glimpse into First Word 2024
The Undergraduate Writing Programme (UWP) held the prize distribution ceremony for the third edition of their annual non-fiction essay
Ananya Pendharkar and Giya Sood
Oct 1, 2024


From Plate to Politics: The Question of Diversity in Ashokan Palates
Over the past few weeks, the sight of Ashokans standing in long queues for a cup of coffee from Blue Tokai has become fairly regular.
Rohan Wagle, Teista Dwivedi, Devadeepa
Sep 24, 2024


India's Evolving Translation Landscape: Insights from the Inaugural Bhashavaad Conference
Opinions Editor Noor Sabharwal (UG'27) reports on the inaugural Bhashavaad: National Translation Conference.
Noor Sabharwal
Aug 31, 2024


Harnessing Privilege for Dissent: What Ashoka Can Learn from Arundhati Roy
Arts and Culture editor Giya Sood (UG'27) writes about what Ashokans can learn from Arundhati Roy in terms of privilege and dissent.
Giya Sood
Aug 30, 2024


In Visibility
Reina Tayyibji writes about photographs, cameras, representation, and living with/as images, discussing the dynamics of power and visibility
Reina Tayyibji
Apr 10, 2024


Algorithm Gamification: The Loss of Original Content Creation
Sankalp Dasmohapatra (UG'24) analyses the changing trends in YouTube content over the years and explains the reasons behind them.
Sankalp Dasmohapatra
Mar 22, 2024


The (Un)knowing Trope and its Fickle Faith: On ‘Confession’ (2024)
Sukriti (UG’24) writes about 'Confession', a short film by Purujit Banwasi, discussing its thematic and cinematographic technique.
Sukriti Chawla
Feb 24, 2024
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