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The symposium is part of a yearly series presented by the Centre for the Creative and the Critical in partnership with the Institute of Advanced Studies at University College London (UCL) and the India International Centre, New Delhi.

Four years of majoring in Economics at Ashoka has made the process of meeting someone for the first time a well-oiled machine — a meek “I’m an Econ major (sorry),” met with an immediate grimace, followed by a very quick “I’m not like those Econ majors, though"

All We Imagine as Light (2024), directed by Payal Kapadia, is a contemplative drama that follows the intertwined lives of three women in Mum

It is early January 2025. Every second article is buzzing with the news: the world-renowned, well-beloved Neil Gaiman is a predator."

There comes a point in life when the world starts to look different. The stories you once adored don’t feel the same.

Ahead of Vistaar's 2025 iteration of Battle of the Bands, Tanisha Pandey (UG'28) reports on the deteriorating state of Ashoka's Music Room.

Giya Sood speaks to the team of Maiyaa, a one-woman play that was performed in Black Box on 13th February.

On any given day at Ashoka University, there is a chaotic blend of impending deadlines, spirited debates, and intellectual pursuits that mak

Boris Nikitin’s Essay on Dying is not a performance in the traditional sense. It is an intimate confession, a philosophical rumination and a